Representations Of Gothic Power In Karl Freunds Mad Love

Representations of chivalric Power in Karl Freunds Mad Love Representations of chivalric Power in Karl Freunds Mad Love (1935) In Karl Freunds 1935 film, Mad Love, many themes of knightlyism are addressed, such as the dichotomy of science and supernaturalism, the romance of suffering and the intrigue of insanity. However, ace particular theme force play through way of life sentence of high qualityis addressed in thorough detail. In defining this power, Freund specifically utilizes the motifs of sadism, helplessness, and human destruction. Dr.

Gogol embodies these motifs as he att empts to net profit the love of Yvonne, non through courtship, but rather through the mathematical function of his self-assigned superiority. In staying true to the history of Gothic art, Dr. Gogol overestimates his supremacy, and ultimately loses his life as the victim of his own destruction. Sadism, the most persistent boldness of power in the film, has been a significant feature of Gothic books and art. As stated by the...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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